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CHIyeah .
MOTI don't know where all the bobbins have gone out of that , do you ?
MOT*MOT: because we had loads .
MOTand they've all seemed to have disappeared .
CHIwant to put them in here .
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MOTwhy ?
CHIyeah ?
MOT*MOT: because that's where he goes to earn money .
MOTto keep you in they style you've become accustomed to .
MOThmm ?
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MOTnearly gave yourself a black eye .
MOTdidn't you ?
MOT*MOT: because you weren't looking what you were doing .
CHIxxx .
CHINicole .
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CHIsilly little Nicole .
MOTother way .
MOT*MOT: because you've got your knot there .
MOTit willn't go in that way .
MOTthis way .
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MOTit willn't go in that way .
MOTthis way .
MOT*MOT: because you've got your knot at that end .
MOTit willn't go in there , Nicole .
MOTthat way .
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MOTit willn't go in there , Nicole .
MOTthat way .
MOT*MOT: because if you +//.
MOTlook .
MOTyou've got your knot .
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CHInot that end ?
MOTno .
MOT*MOT: because you've got your knot there .
MOTto stop it falling off .
MOTxxx .
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CHIxxx .
MOTit willn't .
MOT*MOT: because that's what locks it .
CHIthat 0is [*] what locks +/.
MOTand then if you do that that's locked now , isn't it ?
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CHII can't open it .
MOTno .
MOT*MOT: because it's closed .
MOTit's locked .
MOTit's locked now .
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CHIquarter three .
MOTno .
MOT*MOT: you can't get it at quarter to three because the [/] the twelve doesn't move .
MOTbut that's three o'clock .
MOTthat's very good .
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MOTno .
MOTbut it's at three o'clock , look .
MOT*MOT: because the little hand's on the three .
MOTthe big hand's on the twelve .
MOTand that's at four o'clock .
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MOTthat willn't move .
CHIwhy ?
MOT*MOT: because it's not meant to .
CHIwhere's eleven o'clock ?
MOThere's eleven o'clock .