PHPCLANCHILDES with regular expressions

24 matches in 20 utterances

11.47 per 1,000 words of everyone but CHI, in 1 of 1 transcripts (453 utterances, 2,092 words searched).

  1. I don't think there's much point wrapping them up before we go , is there ? MOT · eng_british_Manchester_I/gail31a.cha, line 63 · Gail 2;10
  2. I don't think there's much point wrapping them up before we go , is there ? MOT · eng_british_Manchester_I/gail31a.cha, line 63 · Gail 2;10
  3. so if we get there and we can buy some paper . MOT · eng_british_Manchester_I/gail31a.cha, line 67 · Gail 2;10
  4. and why was there a knock on the door very early this morning ? MOT · eng_british_Manchester_I/gail31a.cha, line 107 · Gail 2;10
  5. who lives there ? MOT · eng_british_Manchester_I/gail31a.cha, line 226 · Gail 2;10
  6. what did we do that was very special there ? MOT · eng_british_Manchester_I/gail31a.cha, line 232 · Gail 2;10
  7. and what did we see there ? MOT · eng_british_Manchester_I/gail31a.cha, line 242 · Gail 2;10
  8. there was a fire , wasn't there ? MOT · eng_british_Manchester_I/gail31a.cha, line 332 · Gail 2;10
  9. there was a fire , wasn't there ? MOT · eng_british_Manchester_I/gail31a.cha, line 332 · Gail 2;10
  10. there [/] there was smoke went out the top , didn't it ? MOT · eng_british_Manchester_I/gail31a.cha, line 341 · Gail 2;10
  11. there [/] there was smoke went out the top , didn't it ? MOT · eng_british_Manchester_I/gail31a.cha, line 341 · Gail 2;10
  12. there was a man playing his guitar , wasn't there ? MOT · eng_british_Manchester_I/gail31a.cha, line 348 · Gail 2;10
  13. there was a man playing his guitar , wasn't there ? MOT · eng_british_Manchester_I/gail31a.cha, line 348 · Gail 2;10
  14. Mummy used to climb there when she was a little girl . MOT · eng_british_Manchester_I/gail31a.cha, line 455 · Gail 2;10
  15. so I lose faith in humanity for a moment there . MOT · eng_british_Manchester_I/gail31a.cha, line 543 · Gail 2;10
  16. there you are . INV · eng_british_Manchester_I/gail31a.cha, line 758 · Gail 2;10
  17. is there ? INV · eng_british_Manchester_I/gail31a.cha, line 781 · Gail 2;10
  18. there you go . INV · eng_british_Manchester_I/gail31a.cha, line 856 · Gail 2;10
  19. there's a pen . INV · eng_british_Manchester_I/gail31a.cha, line 887 · Gail 2;10
  20. there . INV · eng_british_Manchester_I/gail31a.cha, line 1004 · Gail 2;10
  21. there's not room . MOT · eng_british_Manchester_I/gail31a.cha, line 1363 · Gail 2;10
  22. there was a black string [//] cord . MOT · eng_british_Manchester_I/gail31a.cha, line 1455 · Gail 2;10
  23. what's that doing there ? MOT · eng_british_Manchester_I/gail31a.cha, line 1484 · Gail 2;10
  24. that's why I put it in there you see . MOT · eng_british_Manchester_I/gail31a.cha, line 1531 · Gail 2;10
  1. eng_british_Manchester_I/gail31a.cha, line 63 · Gail, 2;10.08
    MOTsome presents for +...
    CHI++ Andy .
    MOT*MOT: I don't think there's much point wrapping them up before we go , is there ?
    MOTso if we get there and we can buy some paper .
    CHIgot some wrapping+paper at Lanzarotte .
  2. eng_british_Manchester_I/gail31a.cha, line 67 · Gail, 2;10.08
    CHI++ Andy .
    MOTI don't think there's much point wrapping them up before we go , is there ?
    MOT*MOT: so if we get there and we can buy some paper .
    CHIgot some wrapping+paper at Lanzarotte .
    MOTno .
  3. eng_british_Manchester_I/gail31a.cha, line 107 · Gail, 2;10.08
    MOTwe're going in John's car to the airport .
    MOTnot Mummy's and not Daddy's .
    MOT*MOT: and why was there a knock on the door very early this morning ?
    MOTwhat did Daniel come and tell Daddy ?
    MOTsomething that you'd done .
  4. eng_british_Manchester_I/gail31a.cha, line 226 · Gail, 2;10.08
    MOTwhat did we do in Tunbridge_Wells ?
    CHIyeah ?
    MOT*MOT: who lives there ?
    MOTcan you remember ?
    MOTis that where Gagi lives ?
  5. eng_british_Manchester_I/gail31a.cha, line 232 · Gail, 2;10.08
    MOTcan you remember ?
    MOTis that where Gagi lives ?
    MOT*MOT: what did we do that was very special there ?
    MOTwe went to the Enchanted_forest , didn't we ?
    CHIwe went Enchanted_forest .
  6. eng_british_Manchester_I/gail31a.cha, line 242 · Gail, 2;10.08
    CHIwe went Enchanted_forest .
    INVoh .
    MOT*MOT: and what did we see there ?
    CHIsome painting things .
    CHIand coaches .
  7. eng_british_Manchester_I/gail31a.cha, line 332 · Gail, 2;10.08
    MOTwhat was in that big tent ?
    CHIum there was a fire .
    MOT*MOT: there was a fire , wasn't there ?
    CHIit [/] it was keeping me warm .
    MOTwas it ?
  8. eng_british_Manchester_I/gail31a.cha, line 341 · Gail, 2;10.08
    MOTwas it ?
    CHIit was keeping me warm .
    MOT*MOT: there [/] there was smoke went out the top , didn't it ?
    CHIall the way out .
    MOTthat's right .
  9. eng_british_Manchester_I/gail31a.cha, line 348 · Gail, 2;10.08
    CHIall the way out .
    MOTthat's right .
    MOT*MOT: there was a man playing his guitar , wasn't there ?
    MOTremember him ?
    CHIyeah .
  10. eng_british_Manchester_I/gail31a.cha, line 455 · Gail, 2;10.08
    MOTon the rocks .
    MOTyeah .
    MOT*MOT: Mummy used to climb there when she was a little girl .
    MOTit's really good fun .
    CHIwe went down that little one .
  11. eng_british_Manchester_I/gail31a.cha, line 543 · Gail, 2;10.08
    MOTso I went and bought a box of chocolates for them to say thank you for being so honest .
    MOTand when I looked in it all my flipping money had gone .
    MOT*MOT: so I lose faith in humanity for a moment there .
    MOTI was busy saying to your Daddy ninety nine percent of people are very honest .
    MOTwww .
  12. eng_british_Manchester_I/gail31a.cha, line 758 · Gail, 2;10.08
    CHIand some tights .
    MOTthose are the tights that got ever so muddy at the Enchanted_Forest , aren't they ?
    INV*INV: there you are .
    CHIthey got muddy .
    INVoh no .
  13. eng_british_Manchester_I/gail31a.cha, line 781 · Gail, 2;10.08
    INVit's gone .
    CHIthere's one here .
    INV*INV: is there ?
    INVoh yes .
    CHIthink it got stuck .
  14. eng_british_Manchester_I/gail31a.cha, line 856 · Gail, 2;10.08
    INVhe does .
    INVdragons have wings .
    INV*INV: there you go .
    CHIthank you .
    MOTgoodness me .
  15. eng_british_Manchester_I/gail31a.cha, line 887 · Gail, 2;10.08
    MOTthat's for you to put up at your work xxx .
    INVI'd rather have pictures that you've drawn up .
    INV*INV: there's a pen .
    INVyou draw me a picture to put up at my work .
    INVoh no .
  16. eng_british_Manchester_I/gail31a.cha, line 1004 · Gail, 2;10.08
    MOToh dear .
    MOTyou've always liked making holes , haven't you ?
    INV*INV: there .
    INVI've joined the dots up and made a man , look .
    MOToh look .
  17. eng_british_Manchester_I/gail31a.cha, line 1363 · Gail, 2;10.08
    CHIyou put them on there .
    MOTno .
    MOT*MOT: there's not room .
    MOTI'm stretching mine out here , look .
    CHIwant to there ?
  18. eng_british_Manchester_I/gail31a.cha, line 1455 · Gail, 2;10.08
    CHIhere ?
    MOTno .
    MOT*MOT: there was a black string [//] cord .
    MOTthat went through the little holes and you could pull it tight .
    CHIoh .
  19. eng_british_Manchester_I/gail31a.cha, line 1484 · Gail, 2;10.08
    MOTthat .
    MOTa xxx from your snowsuit .
    MOT*MOT: what's that doing there ?
    MOTwhat are these doing in here , Gail ?
    MOTno ?
  20. eng_british_Manchester_I/gail31a.cha, line 1531 · Gail, 2;10.08
    MOTyeah .
    MOTbecause that's nice and little .
    MOT*MOT: that's why I put it in there you see .
    CHIcan I take these ?
    MOTyeah .

Matches by age

One dot per transcript: matches per 1,000 words of everyone but CHI. Dots of the same child are joined.

Matches by child

Matches per 1,000 words, all transcripts of each child together, highest first.

  1. Gail eng_british_Manchester_I11.47
All transcripts as a table
TranscriptChildAgeWordsUtterances matchedMatchesPer 1,000 words
eng_british_Manchester_I/gail31a.chaGail 2;10.082,092202411.47

What the pattern matched

1 different forms (lowercased). Useful to see what a pattern really catches: unexpected forms here usually mean the pattern is too broad.

  1. there24 · 100.0%