PHPCLANCHILDES with regular expressions

60 matches in 53 utterances

18.07 per 1,000 words of everyone but CHI, in 1 of 1 transcripts (567 utterances, 3,321 words searched).

  1. can't see anything funny about that at all . MOT · eng_british_Manchester_I/aran32a.cha, line 46 · Aran 2;10
  2. I don't actually think it's designed for that , Aran . MOT · eng_british_Manchester_I/aran32a.cha, line 64 · Aran 2;10
  3. does she need that ? MOT · eng_british_Manchester_I/aran32a.cha, line 117 · Aran 2;10
  4. well because that shows you where it's stopping . MOT · eng_british_Manchester_I/aran32a.cha, line 252 · Aran 2;10
  5. put that on top so that it shows you where the train's stopping . MOT · eng_british_Manchester_I/aran32a.cha, line 257 · Aran 2;10
  6. put that on top so that it shows you where the train's stopping . MOT · eng_british_Manchester_I/aran32a.cha, line 257 · Aran 2;10
  7. have you got that clock off that little carriage over there ? MOT · eng_british_Manchester_I/aran32a.cha, line 260 · Aran 2;10
  8. have you got that clock off that little carriage over there ? MOT · eng_british_Manchester_I/aran32a.cha, line 260 · Aran 2;10
  9. so that the lady knows what time it is the train's going . MOT · eng_british_Manchester_I/aran32a.cha, line 265 · Aran 2;10
  10. I don't think it's going as late as that . MOT · eng_british_Manchester_I/aran32a.cha, line 283 · Aran 2;10
  11. that's the platform ,, is it ? MOT · eng_british_Manchester_I/aran32a.cha, line 293 · Aran 2;10
  12. isn't there another thing like that ? MOT · eng_british_Manchester_I/aran32a.cha, line 317 · Aran 2;10
  13. where's that other one that goes on the front ? MOT · eng_british_Manchester_I/aran32a.cha, line 327 · Aran 2;10
  14. where's that other one that goes on the front ? MOT · eng_british_Manchester_I/aran32a.cha, line 327 · Aran 2;10
  15. because you don't just get on any old train that stops ,, do you ? MOT · eng_british_Manchester_I/aran32a.cha, line 350 · Aran 2;10
  16. that's the right one ,, is it ? MOT · eng_british_Manchester_I/aran32a.cha, line 359 · Aran 2;10
  17. well that's not the right one at all ,, is it ? MOT · eng_british_Manchester_I/aran32a.cha, line 368 · Aran 2;10
  18. because you've just said that this lady's going to Edinburgh so if that train's going to London +//… MOT · eng_british_Manchester_I/aran32a.cha, line 371 · Aran 2;10
  19. because you've just said that this lady's going to Edinburgh so if that train's going to London +//. MOT · eng_british_Manchester_I/aran32a.cha, line 371 · Aran 2;10
  20. do you think that train'll go through that bridge ? MOT · eng_british_Manchester_I/aran32a.cha, line 376 · Aran 2;10
  21. do you think that train'll go through that bridge ? MOT · eng_british_Manchester_I/aran32a.cha, line 376 · Aran 2;10
  22. oh you've done that ,, have you ? MOT · eng_british_Manchester_I/aran32a.cha, line 410 · Aran 2;10
  23. I think the train will go through that ,, won't [: willn't] it ? MOT · eng_british_Manchester_I/aran32a.cha, line 441 · Aran 2;10
  24. you want that on the top ,, do you ? MOT · eng_british_Manchester_I/aran32a.cha, line 450 · Aran 2;10
  25. do bear in mind that Mummy doesn't build very strong bridges darling . MOT · eng_british_Manchester_I/aran32a.cha, line 454 · Aran 2;10
  26. and if you start to press it very hard it will break just like that . MOT · eng_british_Manchester_I/aran32a.cha, line 458 · Aran 2;10
  27. that's a big bridge ,, isn't it ? MOT · eng_british_Manchester_I/aran32a.cha, line 488 · Aran 2;10
  28. right well this lady wants to know that the train's going to stop ,, doesn't she so we'd better have that on … MOT · eng_british_Manchester_I/aran32a.cha, line 520 · Aran 2;10
  29. …now that the train's going to stop ,, doesn't she so we'd better have that on ? MOT · eng_british_Manchester_I/aran32a.cha, line 520 · Aran 2;10
  30. that'll be three pounds forty nine . MOT · eng_british_Manchester_I/aran32a.cha, line 823 · Aran 2;10
  31. that's coffee . MOT · eng_british_Manchester_I/aran32a.cha, line 832 · Aran 2;10
  32. that's what you asked for and that's what you've got . MOT · eng_british_Manchester_I/aran32a.cha, line 834 · Aran 2;10
  33. that's what you asked for and that's what you've got . MOT · eng_british_Manchester_I/aran32a.cha, line 834 · Aran 2;10
  34. that'll be another pound and five pence please . MOT · eng_british_Manchester_I/aran32a.cha, line 843 · Aran 2;10
  35. it's that full of cake and coffee . MOT · eng_british_Manchester_I/aran32a.cha, line 862 · Aran 2;10
  36. oh is there going to be room for her suitcase with that other lady in ? MOT · eng_british_Manchester_I/aran32a.cha, line 950 · Aran 2;10
  37. <is this> [//] which station is this that they're stopping at ? MOT · eng_british_Manchester_I/aran32a.cha, line 1068 · Aran 2;10
  38. a bit late for that . MOT · eng_british_Manchester_I/aran32a.cha, line 1086 · Aran 2;10
  39. it was <a bit> [/] a bit crowded in that er carriage ,, wasn't it ? MOT · eng_british_Manchester_I/aran32a.cha, line 1113 · Aran 2;10
  40. oh that lady's getting out ,, is she ? MOT · eng_british_Manchester_I/aran32a.cha, line 1119 · Aran 2;10
  41. I am glad that lady's got out ? MOT · eng_british_Manchester_I/aran32a.cha, line 1138 · Aran 2;10
  42. is that what she's saying ? MOT · eng_british_Manchester_I/aran32a.cha, line 1143 · Aran 2;10
  43. that lady's son . MOT · eng_british_Manchester_I/aran32a.cha, line 1159 · Aran 2;10
  44. well what was that for ? MOT · eng_british_Manchester_I/aran32a.cha, line 1193 · Aran 2;10
  45. well he obviously thought that you'd like to hear the train hoot ,, didn't he ? MOT · eng_british_Manchester_I/aran32a.cha, line 1229 · Aran 2;10
  46. well you'd better go and examine that engine then ,, hadn't you ? MOT · eng_british_Manchester_I/aran32a.cha, line 1293 · Aran 2;10
  47. that fire+engine's being clever . MOT · eng_british_Manchester_I/aran32a.cha, line 1375 · Aran 2;10
  48. on this other fire+engine that's coming up . MOT · eng_british_Manchester_I/aran32a.cha, line 1459 · Aran 2;10
  49. and he's going to climb on the roof like that . MOT · eng_british_Manchester_I/aran32a.cha, line 1474 · Aran 2;10
  50. and he's going to cut a big hole in the top of that roof . MOT · eng_british_Manchester_I/aran32a.cha, line 1494 · Aran 2;10
  51. so that the lady can climb out . MOT · eng_british_Manchester_I/aran32a.cha, line 1497 · Aran 2;10
  52. well that was a lot of fuss over nothing ,, wasn't it ? MOT · eng_british_Manchester_I/aran32a.cha, line 1505 · Aran 2;10
  53. what's he done that for ? MOT · eng_british_Manchester_I/aran32a.cha, line 1649 · Aran 2;10
  54. is that what they're doing ? MOT · eng_british_Manchester_I/aran32a.cha, line 1664 · Aran 2;10
  55. that can be the river . MOT · eng_british_Manchester_I/aran32a.cha, line 1690 · Aran 2;10
  56. how are you going to do that ? MOT · eng_british_Manchester_I/aran32a.cha, line 1731 · Aran 2;10
  57. if I knew that I wouldn't be looking for it , would I ? MOT · eng_british_Manchester_I/aran32a.cha, line 1834 · Aran 2;10
  1. MOTI don't see what's so funny about it .
    CHIit's [/] it's gone .
    MOT*MOT: can't see anything funny about that at all .
    CHIit's gone .
    CHIit's going .
  2. CHI<it it> [/] it 0is [*] stuck .
    CHI<it went> [/] it went on the couch .
    MOT*MOT: I don't actually think it's designed for that , Aran .
    MOTcome on .
    MOTthis lady's waiting to go on holiday .
  3. MOTone with all her sponges and soap and things in ?
    MOTand shampoo .
    MOT*MOT: does she need that ?
    CHIyeah .
    CHIand her toys .
  4. MOTyou'll need this stick ,, won't [: willn't] you ?
    CHIwhat for ?
    MOT*MOT: well because that shows you where it's stopping .
    MOTyou've got to +//.
    MOTput that on top so that it shows you where the train's stopping .
  5. MOTwell because that shows you where it's stopping .
    MOTyou've got to +//.
    MOT*MOT: put that on top so that it shows you where the train's stopping .
    MOThave you got that clock off that little carriage over there ?
    CHIall right .
  6. MOTyou've got to +//.
    MOTput that on top so that it shows you where the train's stopping .
    MOT*MOT: have you got that clock off that little carriage over there ?
    CHIall right .
    MOTso that the lady knows what time it is the train's going .
  7. MOThave you got that clock off that little carriage over there ?
    CHIall right .
    MOT*MOT: so that the lady knows what time it is the train's going .
    MOTwhat time is it going ?
    CHItwenty clock .
  8. MOTthere's no twenty o'clock .
    MOTit's either eight o'clock or it's twenty hundred hours .
    MOT*MOT: I don't think it's going as late as that .
    MOTI think it's going at er <ten past eleven> [//] ten past ten .
    MOTright .
  9. MOTright .
    MOTthere we are .
    MOT*MOT: that's the platform ,, is it ?
    CHIso where's +/.
    MOTand here's the lady .
  10. MOTwhat goes on the front of this train ?
    CHIthe clock .
    MOT*MOT: isn't there another thing like that ?
    MOTno .
    MOTthe clock doesn't go on the front .
  11. MOTthis is a diesel ,, isn't it ?
    MOTthis is a diesel .
    MOT*MOT: where's that other one that goes on the front ?
    MOTwhat have you done with it ?
    MOThave you and Daddy lost it ?
  12. MOThe wants to talk to this lady first of all because she wants to make sure of which train's coming next .
    MOTdoesn't she ?
    MOT*MOT: because you don't just get on any old train that stops ,, do you ?
    MOTyou've got to make sure you're getting on the right one ,, haven't you ?
    CHIthat's the right one .
  13. MOTyou've got to make sure you're getting on the right one ,, haven't you ?
    CHIthat's the right one .
    MOT*MOT: that's the right one ,, is it ?
    CHIyeah .
    MOTwhere's it going ?
  14. MOTwhere's it going ?
    CHIto London .
    MOT*MOT: well that's not the right one at all ,, is it ?
    MOTbecause you've just said that this lady's going to Edinburgh so if that train's going to London +//.
    MOTdo you think that train'll go through that bridge ?
  15. CHIto London .
    MOTwell that's not the right one at all ,, is it ?
    MOT*MOT: because you've just said that this lady's going to Edinburgh so if that train's going to London +//.
    MOTdo you think that train'll go through that bridge ?
    MOTnot a hope .
  16. MOTwell that's not the right one at all ,, is it ?
    MOTbecause you've just said that this lady's going to Edinburgh so if that train's going to London +//.
    MOT*MOT: do you think that train'll go through that bridge ?
    MOTnot a hope .
    MOTwe're going to have to go in for engineering works on the line here ,, aren't we ?
  17. MOTlook .
    MOTwhere's the bottom of the bridge now ?
    MOT*MOT: oh you've done that ,, have you ?
    CHIyeah .
    MOTright .
  18. MOThere we are .
    CHItwo .
    MOT*MOT: I think the train will go through that ,, won't [: willn't] it ?
    MOThmm ?
    MOTwhat do you think ?
  19. MOTwhat do you think ?
    CHII think I just put this on .
    MOT*MOT: you want that on the top ,, do you ?
    MOTright .
    MOTdo bear in mind that Mummy doesn't build very strong bridges darling .
  20. MOTyou want that on the top ,, do you ?
    MOTright .
    MOT*MOT: do bear in mind that Mummy doesn't build very strong bridges darling .
    MOTand if you start to press it very hard it will break just like that .
    MOTdo you not press Daddy's bridges as hard or does he build stronger ones ?
  21. MOTright .
    MOTdo bear in mind that Mummy doesn't build very strong bridges darling .
    MOT*MOT: and if you start to press it very hard it will break just like that .
    MOTdo you not press Daddy's bridges as hard or does he build stronger ones ?
    CHIyes .
  22. MOTbecause it keeps falling to bits .
    MOTright well .
    MOT*MOT: that's a big bridge ,, isn't it ?
    CHIxxx .
    CHIhelp the lady .
  23. MOTso is this the train for London ?
    CHIyeah .
    MOT*MOT: right well this lady wants to know that the train's going to stop ,, doesn't she so we'd better have that on ?
    CHII go to xxx .
    MOTwhat else do you have ?
  24. MOTokay madam .
    CHIcan I have my +...
    MOT*MOT: that'll be three pounds forty nine .
    CHIcan I have my cup of tea ?
    MOTthank you .
  25. MOTthank you .
    MOThere's the change .
    MOT*MOT: that's coffee .
    MOTthat's what you asked for and that's what you've got .
    CHIit's gone .
  26. MOThere's the change .
    MOTthat's coffee .
    MOT*MOT: that's what you asked for and that's what you've got .
    CHIit's gone .
    MOToh you want another one ?
  27. MOToh you want another one ?
    CHIyeah .
    MOT*MOT: that'll be another pound and five pence please .
    MOTis the lady paying again ?
    CHII am paying .
  28. CHImy tummy hurts .
    MOTI'm not surprised .
    MOT*MOT: it's that full of cake and coffee .
    CHII xxx .
    MOToh well .
  29. MOThere you are madam .
    MOTlet me help you into the carriage .
    MOT*MOT: oh is there going to be room for her suitcase with that other lady in ?
    CHIyeah .
    MOTare you sure ?
  30. CHII turn the button off .
    MOTwhy are you turning it off ?
    MOT*MOT: <is this> [//] which station is this that they're stopping at ?
    CHII got to get +/.
    MOThave they gone up the East coast line ?
  31. CHIa ticket .
    MOTa ticket .
    MOT*MOT: a bit late for that .
    MOTI think she probably booked in advance ,, didn't she ?
    MOTyou'll have to wait until she comes round again .
  32. CHIand somebody's put her suitcase on their head .
    MOTwell yes .
    MOT*MOT: it was <a bit> [/] a bit crowded in that er carriage ,, wasn't it ?
    CHII'll take that lady out ,, shall I ?
    MOToh that lady's getting out ,, is she ?
  33. MOTit was <a bit> [/] a bit crowded in that er carriage ,, wasn't it ?
    CHII'll take that lady out ,, shall I ?
    MOT*MOT: oh that lady's getting out ,, is she ?
    MOTwhere's she getting out at ?
    MOTis she getting out at Newcastle ?
  34. MOTshe's got out , has she ?
    MOToh: .
    MOT*MOT: I am glad that lady's got out ?
    MOTthere's a lot more room in this carriage now .
    MOTis that what she's saying ?
  35. MOTI am glad that lady's got out ?
    MOTthere's a lot more room in this carriage now .
    MOT*MOT: is that what she's saying ?
    MOTwhere's this lady going ?
    MOTis she going to make a telephone call to tell somebody to come and pick her up ?
  36. MOTis this her son waiting for her ?
    CHIthat's that lady's son .
    MOT*MOT: that lady's son .
    MOToh he's going to meet her ,, is he at Edinburgh ?
    MOToh well we'd better take him away for the time being ,, shall we ?
  37. CHII 0am [*] going to knock it over .
    CHII knocked it over .
    MOT*MOT: well what was that for ?
    CHIknock .
    MOTwell you're wrecking the station ,, aren't you ?
  38. MOThe makes it hoot ,, doesn't he ?
    CHIwhy ?
    MOT*MOT: well he obviously thought that you'd like to hear the train hoot ,, didn't he ?
    MOTdo you remember ?
    MOTwe walked up to the station to see the trains ,, didn't we ?
  39. CHIyeah .
    CHIjust I think .
    MOT*MOT: well you'd better go and examine that engine then ,, hadn't you ?
    CHIall right .
    CHII can't .
  40. MOTare you going to cut a hole in the roof of the carriage to get the lady out ?
    MOTgosh .
    MOT*MOT: that fire+engine's being clever .
    MOTit's driven all the way up the tracks .
    MOTI think it's going the wrong way now .
  41. MOTI want some help .
    MOTI want somebody to work the ladders .
    MOT*MOT: on this other fire+engine that's coming up .
    CHIanother neenaw@c .
    MOTthere .
  42. MOT<he's got the ladders> [//] he's got the extending ladders .
    MOTand he's got them onto the roof .
    MOT*MOT: and he's going to climb on the roof like that .
    MOTand he's going to cut the roof open .
    MOTto let the lady get out .
  43. MOTand he's going to cut a big hole .
    MOTthey're like big scissors .
    MOT*MOT: and he's going to cut a big hole in the top of that roof .
    MOTso that the lady can climb out .
    CHIit went .
  44. MOTthey're like big scissors .
    MOTand he's going to cut a big hole in the top of that roof .
    MOT*MOT: so that the lady can climb out .
    CHIit went .
    MOToh .
  45. MOToh .
    CHIthe driver's gone .
    MOT*MOT: well that was a lot of fuss over nothing ,, wasn't it ?
    CHIthis neenaw@c +/.
    MOTeverybody's safe again now .
  46. MOTyes .
    MOThe's put the ladders up to the sky .
    MOT*MOT: what's he done that for ?
    CHIbecause he want [*] to .
    MOTwell firemen don't usually extend their ladders ,, do they ?
  47. MOTare they on a training run ?
    CHIyeah .
    MOT*MOT: is that what they're doing ?
    MOTtraining .
    MOTtraining .
  48. CHIthat can be the river .
    MOTall right .
    MOT*MOT: that can be the river .
    MOTyou're going to knock your fire+engine into the river ,, are you ?
    CHIyeah .
  49. CHII will knock the sharks away .
    MOTyou're going to knock the sharks away .
    MOT*MOT: how are you going to do that ?
    CHIwith my breakdown truck .
    MOTwith your breakdown truck .
  50. CHIwhere is it ?
    MOTI don't know .
    MOT*MOT: if I knew that I wouldn't be looking for it , would I ?
    MOTno .
    MOTperhaps it'll turn up .

Matches by age

One dot per transcript: matches per 1,000 words of everyone but CHI. Dots of the same child are joined.

Matches by child

Matches per 1,000 words, all transcripts of each child together, highest first.

  1. Aran eng_british_Manchester_I18.07
All transcripts as a table
TranscriptChildAgeWordsUtterances matchedMatchesPer 1,000 words
eng_british_Manchester_I/aran32a.chaAran 2;10.073,321536018.07

What the pattern matched

1 different forms (lowercased). Useful to see what a pattern really catches: unexpected forms here usually mean the pattern is too broad.

  1. that60 · 100.0%