PHPCLANCHILDES with regular expressions

49 matches in 43 utterances

29.55 per 1,000 words of everyone but CHI, in 1 of 1 transcripts (338 utterances, 1,658 words searched).

  1. were you at the beach ? MEL · eng_USA_Brown/sarah131.cha, line 53 · Sarah 4;11
  2. why don't you put it up here on the table so we can see it ? MEL · eng_USA_Brown/sarah131.cha, line 186 · Sarah 4;11
  3. it has a six at the top . MEL · eng_USA_Brown/sarah131.cha, line 451 · Sarah 4;11
  4. then that's the one you're doing . MEL · eng_USA_Brown/sarah131.cha, line 470 · Sarah 4;11
  5. you did # you did the n@l # all by yourself . MEL · eng_USA_Brown/sarah131.cha, line 513 · Sarah 4;11
  6. you've been to the beach ? MOT · eng_USA_Brown/sarah131.cha, line 526 · Sarah 4;11
  7. what did you get for your # what did you get the other day # Mama had to buy you ? MOT · eng_USA_Brown/sarah131.cha, line 555 · Sarah 4;11
  8. it goes over this side # the loop . MOT · eng_USA_Brown/sarah131.cha, line 701 · Sarah 4;11
  9. no # start at the top . MOT · eng_USA_Brown/sarah131.cha, line 710 · Sarah 4;11
  10. (be)cause that's the way you make a two . MOT · eng_USA_Brown/sarah131.cha, line 747 · Sarah 4;11
  11. that's the one I wear down the beach . MOT · eng_USA_Brown/sarah131.cha, line 769 · Sarah 4;11
  12. that's the one I wear down the beach . MOT · eng_USA_Brown/sarah131.cha, line 769 · Sarah 4;11
  13. it's just a cheap one for the water (be)cause I don't wanna wear my rings in the water . MOT · eng_USA_Brown/sarah131.cha, line 772 · Sarah 4;11
  14. …st a cheap one for the water (be)cause I don't wanna wear my rings in the water . MOT · eng_USA_Brown/sarah131.cha, line 772 · Sarah 4;11
  15. I left my other rings down the beach with everything else . MOT · eng_USA_Brown/sarah131.cha, line 780 · Sarah 4;11
  16. see you go the wrong way . MOT · eng_USA_Brown/sarah131.cha, line 790 · Sarah 4;11
  17. towards the microphone . MOT · eng_USA_Brown/sarah131.cha, line 805 · Sarah 4;11
  18. no # the other way . MOT · eng_USA_Brown/sarah131.cha, line 807 · Sarah 4;11
  19. …na get up there next year # and you're goin(g) (t)a be arguin(g) with the teacher . MOT · eng_USA_Brown/sarah131.cha, line 820 · Sarah 4;11
  20. see # the straight line's on that side and the straight line has to go on this … MOT · eng_USA_Brown/sarah131.cha, line 895 · Sarah 4;11
  21. see # the straight line's on that side and the straight line has to go on this side . MOT · eng_USA_Brown/sarah131.cha, line 895 · Sarah 4;11
  22. no # the other side . MOT · eng_USA_Brown/sarah131.cha, line 921 · Sarah 4;11
  23. what's at the end ? GAI · eng_USA_Brown/sarah131.cha, line 953 · Sarah 4;11
  24. that's to hop on the road ? MOT · eng_USA_Brown/sarah131.cha, line 961 · Sarah 4;11
  25. I hide all the scotch+tape (a)n(d) everything # ya know . MOT · eng_USA_Brown/sarah131.cha, line 1025 · Sarah 4;11
  26. I had to use the # then I had to start usin(g) that crazy glue . MOT · eng_USA_Brown/sarah131.cha, line 1028 · Sarah 4;11
  27. oh # don't tell me that one hasn't got the # oh yes it has . MOT · eng_USA_Brown/sarah131.cha, line 1048 · Sarah 4;11
  28. yeah # it's written on the back . MOT · eng_USA_Brown/sarah131.cha, line 1053 · Sarah 4;11
  29. it's written on the top . MOT · eng_USA_Brown/sarah131.cha, line 1055 · Sarah 4;11
  30. the top # yeah . MEL · eng_USA_Brown/sarah131.cha, line 1057 · Sarah 4;11
  31. see the slots are in the back . MEL · eng_USA_Brown/sarah131.cha, line 1071 · Sarah 4;11
  32. see the slots are in the back . MEL · eng_USA_Brown/sarah131.cha, line 1071 · Sarah 4;11
  33. you're too used to opening all the packages around here . MEL · eng_USA_Brown/sarah131.cha, line 1081 · Sarah 4;11
  34. I left all my ribbon down the beach # too . MOT · eng_USA_Brown/sarah131.cha, line 1133 · Sarah 4;11
  35. no # I meant the present . MEL · eng_USA_Brown/sarah131.cha, line 1138 · Sarah 4;11
  36. the next wedding present can be for Gail . MOT · eng_USA_Brown/sarah131.cha, line 1148 · Sarah 4;11
  37. xxx the bank . MOT · eng_USA_Brown/sarah131.cha, line 1155 · Sarah 4;11
  38. we'll stick with the pennies today . MOT · eng_USA_Brown/sarah131.cha, line 1211 · Sarah 4;11
  39. well put them # put them # those pennies in the bank # in the bank . MOT · eng_USA_Brown/sarah131.cha, line 1215 · Sarah 4;11
  40. well put them # put them # those pennies in the bank # in the bank . MOT · eng_USA_Brown/sarah131.cha, line 1215 · Sarah 4;11
  41. that's the girl . MEL · eng_USA_Brown/sarah131.cha, line 1229 · Sarah 4;11
  42. for all the tea I've been drinking . MEL · eng_USA_Brown/sarah131.cha, line 1249 · Sarah 4;11
  43. we can't buy her a present (un)till she catches the man . MOT · eng_USA_Brown/sarah131.cha, line 1276 · Sarah 4;11
  44. she's got ta catch the man first . MOT · eng_USA_Brown/sarah131.cha, line 1279 · Sarah 4;11
  45. Bill would break that at the first chance . MEL · eng_USA_Brown/sarah131.cha, line 1305 · Sarah 4;11
  46. because Gail didn't catch the man yet . MOT · eng_USA_Brown/sarah131.cha, line 1342 · Sarah 4;11
  47. the logic of this custom is +... MEL · eng_USA_Brown/sarah131.cha, line 1345 · Sarah 4;11
  48. remember last night about the Miss and the Mrs well # Gail's a Miss just like you . MOT · eng_USA_Brown/sarah131.cha, line 1353 · Sarah 4;11
  49. remember last night about the Miss and the Mrs well # Gail's a Miss just like you . MOT · eng_USA_Brown/sarah131.cha, line 1353 · Sarah 4;11
  1. eng_USA_Brown/sarah131.cha, line 53 · Sarah, 4;11.13
    MELyou're all tan .
    MOTxxx of Putnam_Avenue .
    MEL*MEL: were you at the beach ?
    CHI0 .
    MELyou've got mud on your face .
  2. eng_USA_Brown/sarah131.cha, line 186 · Sarah, 4;11.13
    MELoh .
    CHInot # dynamite has one only .
    MEL*MEL: why don't you put it up here on the table so we can see it ?
    MELok # now read .
    CHIoh # five (a)n(d) two # plus four ?
  3. eng_USA_Brown/sarah131.cha, line 451 · Sarah, 4;11.13
    CHInow # which one I was startin(g) on # this one ?
    MELum # I think this one maybe .
    MEL*MEL: it has a six at the top .
    CHIno # it was this one # was it ?
    MOTmmhm .
  4. eng_USA_Brown/sarah131.cha, line 470 · Sarah, 4;11.13
    CHIwell # this was the bottom .
    MELoh # ok .
    MEL*MEL: then that's the one you're doing .
    CHIoh .
    CHI(be)cause this one don't have um # a plus # see ?
  5. eng_USA_Brown/sarah131.cha, line 513 · Sarah, 4;11.13
    CHIyeah .
    MELyes # you did .
    MEL*MEL: you did # you did the n@l # all by yourself .
    CHImmhm # well # two # yeah .
    CHImmhm # I have to erase that off .
  6. eng_USA_Brown/sarah131.cha, line 526 · Sarah, 4;11.13
    CHImmhm # I have to erase that off .
    CHIno # I don't .
    MOT*MOT: you've been to the beach ?
    MOTyou feel it # too .
    MELdid you really burn ?
  7. eng_USA_Brown/sarah131.cha, line 555 · Sarah, 4;11.13
    MELsunburned hips ?
    MELouch .
    MOT*MOT: what did you get for your # what did you get the other day # Mama had to buy you ?
    CHII forget .
    MOTwhat kind of bathing+suit ?
  8. eng_USA_Brown/sarah131.cha, line 701 · Sarah, 4;11.13
    CHII'll copy it .
    MOTthat's backwards .
    MOT*MOT: it goes over this side # the loop .
    MOTit goes this way # here .
    CHIhow_come they # they always make it like this ?
  9. eng_USA_Brown/sarah131.cha, line 710 · Sarah, 4;11.13
    CHIhow_come they # they always make it like this ?
    MOTthat's how you make a two .
    MOT*MOT: no # start at the top .
    MOTsee # you start up here .
    MOTcome down # (a)n(d) around .
  10. eng_USA_Brown/sarah131.cha, line 747 · Sarah, 4;11.13
    GAIjust like this # and then down .
    CHIhow_come I always make it like this ?
    MOT*MOT: (be)cause that's the way you make a two .
    MOTthat's why .
    CHIwell I can make it like this .
  11. eng_USA_Brown/sarah131.cha, line 769 · Sarah, 4;11.13
    CHIput it on that one .
    GAIthat's different from your usual one .
    MOT*MOT: that's the one I wear down the beach .
    MOTit's just a cheap one for the water (be)cause I don't wanna wear my rings in the water .
    MELyeah .
  12. eng_USA_Brown/sarah131.cha, line 772 · Sarah, 4;11.13
    GAIthat's different from your usual one .
    MOTthat's the one I wear down the beach .
    MOT*MOT: it's just a cheap one for the water (be)cause I don't wanna wear my rings in the water .
    MELyeah .
    MOTthey'd fall off .
  13. eng_USA_Brown/sarah131.cha, line 780 · Sarah, 4;11.13
    MELyeah .
    MOTthey'd fall off .
    MOT*MOT: I left my other rings down the beach with everything else .
    MOThonestly # I don't know <where anything is> [?] .
    CHIlike this you make a two ?
  14. eng_USA_Brown/sarah131.cha, line 790 · Sarah, 4;11.13
    CHIlike this you make a two ?
    MOTno .
    MOT*MOT: see you go the wrong way .
    CHIto Melissa ?
    MOTmake it towards Gail .
  15. eng_USA_Brown/sarah131.cha, line 805 · Sarah, 4;11.13
    MOThere # and then come down a little more .
    MOTnow go around .
    MOT*MOT: towards the microphone .
    MOTno # the other way .
    CHII am .
  16. eng_USA_Brown/sarah131.cha, line 807 · Sarah, 4;11.13
    MOTnow go around .
    MOTtowards the microphone .
    MOT*MOT: no # the other way .
    CHII am .
    MOTno # <no # no> [/] .
  17. eng_USA_Brown/sarah131.cha, line 820 · Sarah, 4;11.13
    MOTaround # and in .
    CHIbut # but you can make it like that # straight .
    MOT*MOT: you know you're gonna get up there next year # and you're goin(g) (t)a be arguin(g) with the teacher .
    MOTshe don't know what's in store for her .
    CHII know how to make a two .
  18. eng_USA_Brown/sarah131.cha, line 895 · Sarah, 4;11.13
    CHIa # um # dis .
    MOTno # it isn't .
    MOT*MOT: see # the straight line's on that side and the straight line has to go on this side .
    MOTdown # and then around .
    CHIoh # you mean like this ?
  19. eng_USA_Brown/sarah131.cha, line 921 · Sarah, 4;11.13
    CHIlike this ?
    MOTwhere ?
    MOT*MOT: no # the other side .
    MOTdown # (a)n(d) around that way # towards Gail .
    MOTsee you're goin(g) towards Melissa .
  20. eng_USA_Brown/sarah131.cha, line 953 · Sarah, 4;11.13
    MOTa road ?
    MELa road ?
    GAI*GAI: what's at the end ?
    CHIthis is to hop xxx .
    CHIok ?
  21. eng_USA_Brown/sarah131.cha, line 961 · Sarah, 4;11.13
    CHIthis is to hop xxx .
    CHIok ?
    MOT*MOT: that's to hop on the road ?
    CHIyeah .
    MOToh .
  22. eng_USA_Brown/sarah131.cha, line 1025 · Sarah, 4;11.13
    MELit looks like it though .
    MELI was wondering about that xxx .
    MOT*MOT: I hide all the scotch+tape (a)n(d) everything # ya know .
    MOTI had to use the # then I had to start usin(g) that crazy glue .
    MOTI wonder where I hid it .
  23. eng_USA_Brown/sarah131.cha, line 1028 · Sarah, 4;11.13
    MELI was wondering about that xxx .
    MOTI hide all the scotch+tape (a)n(d) everything # ya know .
    MOT*MOT: I had to use the # then I had to start usin(g) that crazy glue .
    MOTI wonder where I hid it .
    MEL(be)cause she'll go through a roll of Scotch tape like it's going out of of style .
  24. eng_USA_Brown/sarah131.cha, line 1048 · Sarah, 4;11.13
    MOTxxx .
    MELxxx .
    MOT*MOT: oh # don't tell me that one hasn't got the # oh yes it has .
    MELI can't +...
    MOTyeah # it's written on the back .
  25. eng_USA_Brown/sarah131.cha, line 1053 · Sarah, 4;11.13
    MOToh # don't tell me that one hasn't got the # oh yes it has .
    MELI can't +...
    MOT*MOT: yeah # it's written on the back .
    MOTit's written on the top .
    MELthe top # yeah .
  26. eng_USA_Brown/sarah131.cha, line 1055 · Sarah, 4;11.13
    MELI can't +...
    MOTyeah # it's written on the back .
    MOT*MOT: it's written on the top .
    MELthe top # yeah .
    MELthere we are .
  27. eng_USA_Brown/sarah131.cha, line 1057 · Sarah, 4;11.13
    MOTyeah # it's written on the back .
    MOTit's written on the top .
    MEL*MEL: the top # yeah .
    MELthere we are .
    MELthat's great .
  28. eng_USA_Brown/sarah131.cha, line 1071 · Sarah, 4;11.13
    MOTlittle piggies .
    MELpiggie banks .
    MEL*MEL: see the slots are in the back .
    CHIyeah # piggie banks .
    MOTno # you're not supposed to open that .
  29. eng_USA_Brown/sarah131.cha, line 1081 · Sarah, 4;11.13
    MOTno # you're not supposed to open that .
    CHII can open it .
    MEL*MEL: you're too used to opening all the packages around here .
    MELwell thank+you # Sarah .
    MOTlet Gail # let Melissa open it .
  30. eng_USA_Brown/sarah131.cha, line 1133 · Sarah, 4;11.13
    MOTit could be if she did it up # believe me .
    MELdo you know what this is # Sarah ?
    MOT*MOT: I left all my ribbon down the beach # too .
    CHIa card .
    MELno # I meant the present .
  31. eng_USA_Brown/sarah131.cha, line 1138 · Sarah, 4;11.13
    MOTI left all my ribbon down the beach # too .
    CHIa card .
    MEL*MEL: no # I meant the present .
    MELdo you know what it is ?
    CHImmhm .
  32. eng_USA_Brown/sarah131.cha, line 1148 · Sarah, 4;11.13
    MOTdon't tell .
    CHI<I not> [//] the next one is for Gail .
    MOT*MOT: the next wedding present can be for Gail .
    CHIhey # I found # a penny .
    CHIhere .
  33. eng_USA_Brown/sarah131.cha, line 1155 · Sarah, 4;11.13
    CHIhey # I found # a penny .
    CHIhere .
    MOT*MOT: xxx the bank .
    MOTput it in her bank for her .
    CHIin xxx bank ?
  34. eng_USA_Brown/sarah131.cha, line 1211 · Sarah, 4;11.13
    MOTgive her a dollar ?
    CHIyeah .
    MOT*MOT: we'll stick with the pennies today .
    CHIdollar .
    MOTwell put them # put them # those pennies in the bank # in the bank .
  35. eng_USA_Brown/sarah131.cha, line 1215 · Sarah, 4;11.13
    MOTwe'll stick with the pennies today .
    CHIdollar .
    MOT*MOT: well put them # put them # those pennies in the bank # in the bank .
    GAInow why don't you stick a bomb in it .
    MOTyeah .
  36. eng_USA_Brown/sarah131.cha, line 1229 · Sarah, 4;11.13
    MOTremember # got ta put one in here .
    CHII am .
    MEL*MEL: that's the girl .
    MELgood girl .
    MOTthere .
  37. eng_USA_Brown/sarah131.cha, line 1249 · Sarah, 4;11.13
    MELa cup and saucer .
    MELoh # that's really cool .
    MEL*MEL: for all the tea I've been drinking .
    MELI should keep it here for my teacup .
    MELoh thanks a lot .
  38. eng_USA_Brown/sarah131.cha, line 1276 · Sarah, 4;11.13
    MOThuh ?
    CHIwhere is it ?
    MOT*MOT: we can't buy her a present (un)till she catches the man .
    MOTshe's got ta catch the man first .
    CHIdid she catch a man ?
  39. eng_USA_Brown/sarah131.cha, line 1279 · Sarah, 4;11.13
    CHIwhere is it ?
    MOTwe can't buy her a present (un)till she catches the man .
    MOT*MOT: she's got ta catch the man first .
    CHIdid she catch a man ?
    MOTno # not yet # I guess .
  40. eng_USA_Brown/sarah131.cha, line 1305 · Sarah, 4;11.13
    MELoh # that's really pretty .
    MELthat's definitely a hers teacup .
    MEL*MEL: Bill would break that at the first chance .
    MELthat's what we always give my sister+in+law and her husband one at +...
    MOTthat's what we always give my sister+in+law and her husband one at # every Christmas # (be)cause she saves them .
  41. eng_USA_Brown/sarah131.cha, line 1342 · Sarah, 4;11.13
    MOTthere's no present there # honey # for Gail .
    CHIwhy ?
    MOT*MOT: because Gail didn't catch the man yet .
    MELthe logic of this custom is +...
    CHIshe's not married yet ?
  42. eng_USA_Brown/sarah131.cha, line 1345 · Sarah, 4;11.13
    CHIwhy ?
    MOTbecause Gail didn't catch the man yet .
    MEL*MEL: the logic of this custom is +...
    CHIshe's not married yet ?
    MOTno # she's not married yet .
  43. eng_USA_Brown/sarah131.cha, line 1353 · Sarah, 4;11.13
    MOTno # she's not married yet .
    MOTshe's a miss # like you .
    MOT*MOT: remember last night about the Miss and the Mrs well # Gail's a Miss just like you .
    CHIno I ain't .
    CHII'm a Miss .

Matches by age

One dot per transcript: matches per 1,000 words of everyone but CHI. Dots of the same child are joined.

Matches by child

Matches per 1,000 words, all transcripts of each child together, highest first.

  1. Sarah eng_USA_Brown29.55
All transcripts as a table
TranscriptChildAgeWordsUtterances matchedMatchesPer 1,000 words
eng_USA_Brown/sarah131.chaSarah 4;11.131,658434929.55

What the pattern matched

1 different forms (lowercased). Useful to see what a pattern really catches: unexpected forms here usually mean the pattern is too broad.

  1. the49 · 100.0%