PHPCLANCHILDES with regular expressions

62 matches in 62 utterances

37.39 per 1,000 words of everyone but CHI, in 1 of 1 transcripts (338 utterances, 1,658 words searched).

  1. what is that # Sarah ? GAI · eng_USA_Brown/sarah131.cha, line 83 · Sarah 4;11
  2. that was fast . MEL · eng_USA_Brown/sarah131.cha, line 110 · Sarah 4;11
  3. what does that mean ? GAI · eng_USA_Brown/sarah131.cha, line 127 · Sarah 4;11
  4. I hide so many things on her that when I go and look for things # I can never find them . MOT · eng_USA_Brown/sarah131.cha, line 157 · Sarah 4;11
  5. that wasn't real clear . MEL · eng_USA_Brown/sarah131.cha, line 163 · Sarah 4;11
  6. what is that ? MEL · eng_USA_Brown/sarah131.cha, line 195 · Sarah 4;11
  7. do you know how much that is ? MEL · eng_USA_Brown/sarah131.cha, line 199 · Sarah 4;11
  8. that's five xxx two . MEL · eng_USA_Brown/sarah131.cha, line 213 · Sarah 4;11
  9. that's right . MEL · eng_USA_Brown/sarah131.cha, line 266 · Sarah 4;11
  10. like that . MEL · eng_USA_Brown/sarah131.cha, line 376 · Sarah 4;11
  11. oh that's a good one . MOT · eng_USA_Brown/sarah131.cha, line 426 · Sarah 4;11
  12. gee # that's pretty good . MOT · eng_USA_Brown/sarah131.cha, line 430 · Sarah 4;11
  13. then that's the one you're doing . MEL · eng_USA_Brown/sarah131.cha, line 470 · Sarah 4;11
  14. try and figure that one out . MOT · eng_USA_Brown/sarah131.cha, line 490 · Sarah 4;11
  15. yeah # that's a good lookin(g) two # isn't it ? MOT · eng_USA_Brown/sarah131.cha, line 688 · Sarah 4;11
  16. that's backwards . MOT · eng_USA_Brown/sarah131.cha, line 699 · Sarah 4;11
  17. that's how you make a two . MOT · eng_USA_Brown/sarah131.cha, line 708 · Sarah 4;11
  18. that's why you make your twos wrong . MOT · eng_USA_Brown/sarah131.cha, line 718 · Sarah 4;11
  19. what's that ? MOT · eng_USA_Brown/sarah131.cha, line 727 · Sarah 4;11
  20. that's # nope # nope . GAI · eng_USA_Brown/sarah131.cha, line 741 · Sarah 4;11
  21. (be)cause that's the way you make a two . MOT · eng_USA_Brown/sarah131.cha, line 747 · Sarah 4;11
  22. that's why . MOT · eng_USA_Brown/sarah131.cha, line 750 · Sarah 4;11
  23. that's different from your usual one . GAI · eng_USA_Brown/sarah131.cha, line 766 · Sarah 4;11
  24. that's the one I wear down the beach . MOT · eng_USA_Brown/sarah131.cha, line 769 · Sarah 4;11
  25. yeah # that's a good b@l . MOT · eng_USA_Brown/sarah131.cha, line 887 · Sarah 4;11
  26. what's that ? MOT · eng_USA_Brown/sarah131.cha, line 889 · Sarah 4;11
  27. see # the straight line's on that side and the straight line has to go on this side . MOT · eng_USA_Brown/sarah131.cha, line 895 · Sarah 4;11
  28. down # (a)n(d) around that way # towards Gail . MOT · eng_USA_Brown/sarah131.cha, line 923 · Sarah 4;11
  29. well what's that ? MOT · eng_USA_Brown/sarah131.cha, line 932 · Sarah 4;11
  30. that's a d@l # huh ? MOT · eng_USA_Brown/sarah131.cha, line 938 · Sarah 4;11
  31. what did that d@l turn into ? GAI · eng_USA_Brown/sarah131.cha, line 945 · Sarah 4;11
  32. that's to hop on the road ? MOT · eng_USA_Brown/sarah131.cha, line 961 · Sarah 4;11
  33. where does that road go ? MEL · eng_USA_Brown/sarah131.cha, line 970 · Sarah 4;11
  34. that one's from you . MOT · eng_USA_Brown/sarah131.cha, line 993 · Sarah 4;11
  35. that one's from you . MOT · eng_USA_Brown/sarah131.cha, line 997 · Sarah 4;11
  36. +" that one is from you . MOT · eng_USA_Brown/sarah131.cha, line 1003 · Sarah 4;11
  37. I was wondering about that xxx . MEL · eng_USA_Brown/sarah131.cha, line 1022 · Sarah 4;11
  38. I had to use the # then I had to start usin(g) that crazy glue . MOT · eng_USA_Brown/sarah131.cha, line 1028 · Sarah 4;11
  39. oh # that's great . MEL · eng_USA_Brown/sarah131.cha, line 1038 · Sarah 4;11
  40. look at that . MEL · eng_USA_Brown/sarah131.cha, line 1041 · Sarah 4;11
  41. oh # don't tell me that one hasn't got the # oh yes it has . MOT · eng_USA_Brown/sarah131.cha, line 1048 · Sarah 4;11
  42. that's great . MEL · eng_USA_Brown/sarah131.cha, line 1061 · Sarah 4;11
  43. isn't that wonderful . GAI · eng_USA_Brown/sarah131.cha, line 1063 · Sarah 4;11
  44. no # you're not supposed to open that . MOT · eng_USA_Brown/sarah131.cha, line 1076 · Sarah 4;11
  45. now we'll be able to save all our pennies that way # and then buy things we really need . MEL · eng_USA_Brown/sarah131.cha, line 1090 · Sarah 4;11
  46. I thought that was cute # his # hers # and ours . MOT · eng_USA_Brown/sarah131.cha, line 1101 · Sarah 4;11
  47. that's neat . MEL · eng_USA_Brown/sarah131.cha, line 1104 · Sarah 4;11
  48. that's so you don't lose any of it . MEL · eng_USA_Brown/sarah131.cha, line 1113 · Sarah 4;11
  49. that's a good present . MEL · eng_USA_Brown/sarah131.cha, line 1116 · Sarah 4;11
  50. now I can # yeah # it smells like that kind of paste . MEL · eng_USA_Brown/sarah131.cha, line 1118 · Sarah 4;11
  1. CHIuh # oh no .
    CHIhave to do this hard again .
    GAI*GAI: what is that # Sarah ?
    CHIa school book .
    MELdoes it teach you things ?
  2. CHId@l o@l g@l .
    MELsay # you're really getting good .
    MEL*MEL: that was fast .
    CHIuh # I know how to spell cat .
    CHIc@l # now what's that other word ?
  3. GAIlessbetoil@c ?
    CHI0 .
    GAI*GAI: what does that mean ?
    CHIit spells English .
    MOTit spells English .
  4. CHIoh this is a good one .
    CHIwe are coming to +...
    MOT*MOT: I hide so many things on her that when I go and look for things # I can never find them .
    CHI(let's) all [/] all # with your humpytoil@wp .
    MELthat wasn't real clear .
  5. MOTI hide so many things on her that when I go and look for things # I can never find them .
    CHI(let's) all [/] all # with your humpytoil@wp .
    MEL*MEL: that wasn't real clear .
    MELwhat is this empy_toil@wp ?
    CHIum # o:h .
  6. MELok # now read .
    CHIoh # five (a)n(d) two # plus four ?
    MEL*MEL: what is that ?
    CHIfive [/] five plus two .
    MELdo you know how much that is ?
  7. MELwhat is that ?
    CHIfive [/] five plus two .
    MEL*MEL: do you know how much that is ?
    CHI0 .
    MELcan you do it on your fingers ?
  8. MELit's three ?
    CHIthree ?
    MEL*MEL: that's five xxx two .
    CHIhuh ?
    MELfive take away two .
  9. CHI0 .
    MELvery good .
    MEL*MEL: that's right .
    MOTit must have been an accident .
    CHIum +...
  10. CHIthat's this .
    CHIhow you make a six ?
    MEL*MEL: like that .
    MELdid you make one before ever ?
    MELI'll do one for you to copy .
  11. MELthis is really exciting .
    CHIthere # now +...
    MOT*MOT: oh that's a good one .
    CHIgood one ?
    MOTgee # that's pretty good .
  12. MOToh that's a good one .
    CHIgood one ?
    MOT*MOT: gee # that's pretty good .
    CHIthat's pretty good .
    MOTwhat is it ?
  13. CHIwell # this was the bottom .
    MELoh # ok .
    MEL*MEL: then that's the one you're doing .
    CHIoh .
    CHI(be)cause this one don't have um # a plus # see ?
  14. CHI(be)cause I was first starting on that one # then I was goin(g) on that one # then I was goin(g) on that one .
    CHIso # I'm on that one .
    MOT*MOT: try and figure that one out .
    MELxxx logic .
    CHII told ya I need the n@l to do it .
  15. CHIhey # let's do another page .
    CHIoh # this one .
    MOT*MOT: yeah # that's a good lookin(g) two # isn't it ?
    MOThuh ?
    CHIyeah .
  16. CHIso I'll write down that one .
    CHII'll copy it .
    MOT*MOT: that's backwards .
    MOTit goes over this side # the loop .
    MOTit goes this way # here .
  17. MOTit goes this way # here .
    CHIhow_come they # they always make it like this ?
    MOT*MOT: that's how you make a two .
    MOTno # start at the top .
    MOTsee # you start up here .
  18. MOTcome down # (a)n(d) around .
    MOTsee you start backwards .
    MOT*MOT: that's why you make your twos wrong .
    MOT<you start> [//] you do it backwards .
    CHIlook what +...
  19. MOT<you start> [//] you do it backwards .
    CHIlook what +...
    MOT*MOT: what's that ?
    CHIan s@l .
    MOTan s@l ?
  20. GAIstart over here # Sarah # and then pull your pencil to me # and then down .
    GAIto me .
    GAI*GAI: that's # nope # nope .
    GAIjust like this # and then down .
    CHIhow_come I always make it like this ?
  21. GAIjust like this # and then down .
    CHIhow_come I always make it like this ?
    MOT*MOT: (be)cause that's the way you make a two .
    MOTthat's why .
    CHIwell I can make it like this .
  22. CHIhow_come I always make it like this ?
    MOT(be)cause that's the way you make a two .
    MOT*MOT: that's why .
    CHIwell I can make it like this .
    CHIum .
  23. CHI# so let's do another page # (be)cause I # oh # this is a nice one .
    CHIput it on that one .
    GAI*GAI: that's different from your usual one .
    MOTthat's the one I wear down the beach .
    MOTit's just a cheap one for the water (be)cause I don't wanna wear my rings in the water .
  24. CHIput it on that one .
    GAIthat's different from your usual one .
    MOT*MOT: that's the one I wear down the beach .
    MOTit's just a cheap one for the water (be)cause I don't wanna wear my rings in the water .
    MELyeah .
  25. MOTb@l .
    CHIis dat a good b@l ?
    MOT*MOT: yeah # that's a good b@l .
    MOTwhat's that ?
    CHIa # um # dis .
  26. CHIis dat a good b@l ?
    MOTyeah # that's a good b@l .
    MOT*MOT: what's that ?
    CHIa # um # dis .
    MOTno # it isn't .
  27. CHIa # um # dis .
    MOTno # it isn't .
    MOT*MOT: see # the straight line's on that side and the straight line has to go on this side .
    MOTdown # and then around .
    CHIoh # you mean like this ?
  28. MOTwhere ?
    MOTno # the other side .
    MOT*MOT: down # (a)n(d) around that way # towards Gail .
    MOTsee you're goin(g) towards Melissa .
    MOTyou have to go towards Gail .
  29. MOTyou have to go towards Gail .
    MOTyeah .
    MOT*MOT: well what's that ?
    CHIa d@l .
    MOTthat's a d@l # huh ?
  30. MOTwell what's that ?
    CHIa d@l .
    MOT*MOT: that's a d@l # huh ?
    CHIbut I('m) makin(g) the ends longers@n .
    MOTI guess you are .
  31. CHIbut I('m) makin(g) the ends longers@n .
    MOTI guess you are .
    GAI*GAI: what did that d@l turn into ?
    CHIa road .
    MOTa road ?
  32. CHIthis is to hop xxx .
    CHIok ?
    MOT*MOT: that's to hop on the road ?
    CHIyeah .
    MOToh .
  33. MOToh .
    CHIthen go like .
    MEL*MEL: where does that road go ?
    CHIto Cambridge .
    MELCambridge ?
  34. CHIyeah .
    CHIyes .
    MOT*MOT: that one's from you .
    CHIhuh ?
    MOTthat one's from you .
  35. MOTthat one's from you .
    CHIhuh ?
    MOT*MOT: that one's from you .
    CHIhuh ?
    MOTI said # +"/.
  36. CHIhuh ?
    MOTI said # +"/.
    MOT*MOT: +" that one is from you .
    CHIoh .
    MELthis is from you to me ?
  37. MELdid you wrap it yourself ?
    MELit looks like it though .
    MEL*MEL: I was wondering about that xxx .
    MOTI hide all the scotch+tape (a)n(d) everything # ya know .
    MOTI had to use the # then I had to start usin(g) that crazy glue .
  38. MELI was wondering about that xxx .
    MOTI hide all the scotch+tape (a)n(d) everything # ya know .
    MOT*MOT: I had to use the # then I had to start usin(g) that crazy glue .
    MOTI wonder where I hid it .
    MEL(be)cause she'll go through a roll of Scotch tape like it's going out of of style .
  39. MOTI wonder where I hid it .
    MEL(be)cause she'll go through a roll of Scotch tape like it's going out of of style .
    MEL*MEL: oh # that's great .
    MELlook at that .
    MOTxxx .
  40. MEL(be)cause she'll go through a roll of Scotch tape like it's going out of of style .
    MELoh # that's great .
    MEL*MEL: look at that .
    MOTxxx .
    MELxxx .
  41. MOTxxx .
    MELxxx .
    MOT*MOT: oh # don't tell me that one hasn't got the # oh yes it has .
    MELI can't +...
    MOTyeah # it's written on the back .
  42. MELthe top # yeah .
    MELthere we are .
    MEL*MEL: that's great .
    GAIisn't that wonderful .
    GAIwhat are they # Sarah ?
  43. MELthere we are .
    MELthat's great .
    GAI*GAI: isn't that wonderful .
    GAIwhat are they # Sarah ?
    MOTlittle piggies .
  44. MELsee the slots are in the back .
    CHIyeah # piggie banks .
    MOT*MOT: no # you're not supposed to open that .
    CHII can open it .
    MELyou're too used to opening all the packages around here .
  45. MOTlet Gail # let Melissa open it .
    MOTGail's next .
    MEL*MEL: now we'll be able to save all our pennies that way # and then buy things we really need .
    CHIso I got lots of piggie+banks # do you ?
    MELdo we get lots ?
  46. MELdo we get lots ?
    MELwell # we've got lots here .
    MOT*MOT: I thought that was cute # his # hers # and ours .
    MELthat's neat .
    MELthank+you very much # Sarah .
  47. MELwell # we've got lots here .
    MOTI thought that was cute # his # hers # and ours .
    MEL*MEL: that's neat .
    MELthank+you very much # Sarah .
    CHIit's stuck all together .
  48. CHIit's stuck all together .
    MELmmhm .
    MEL*MEL: that's so you don't lose any of it .
    MELthat's a good present .
    MELnow I can # yeah # it smells like that kind of paste .
  49. MELmmhm .
    MELthat's so you don't lose any of it .
    MEL*MEL: that's a good present .
    MELnow I can # yeah # it smells like that kind of paste .
    MELnow I can smell it .
  50. MELthat's so you don't lose any of it .
    MELthat's a good present .
    MEL*MEL: now I can # yeah # it smells like that kind of paste .
    MELnow I can smell it .
    MOTyeah .

Matches by age

One dot per transcript: matches per 1,000 words of everyone but CHI. Dots of the same child are joined.

Matches by child

Matches per 1,000 words, all transcripts of each child together, highest first.

  1. Sarah eng_USA_Brown37.39
All transcripts as a table
TranscriptChildAgeWordsUtterances matchedMatchesPer 1,000 words
eng_USA_Brown/sarah131.chaSarah 4;11.131,658626237.39

What the pattern matched

1 different forms (lowercased). Useful to see what a pattern really catches: unexpected forms here usually mean the pattern is too broad.

  1. that62 · 100.0%